Tomlinson’s collection is one that has gracefully eschewed fads and trends in favor of a timeless style. Citing “strength of imagery” and “distinctiveness” as deciding factors in his final selections, Mr. The collection’s impact was further reinforced by the artistic dialogue between works by the aforementioned photographers and those of non-fashion subject matter, such as Lynn Davis’s hauntingly beautiful icescapes. Learn more about the piece and artist, and its final. Horst, Melvin Sokolsky, and Albert Watson. View Janis Joplin, Standing Nude by Bob Seidemann sold at PHOTOGRAPHS on 8 October 2010 New York. Tomlinson’s collection gradually blossomed into a comprehensive repertoire, featuring works by photographers who, over the years, had come to form the pantheon of fashion photography, including Irving Penn, Horst P. ![]() With Herb Ritt’s Madonna, Hollywood, 1986, as one of the first seeds, Mr. Tomlinson began amassing a collection that was as informed by guidance from fellow collectors, dealers and curators, as much as an unwavering trust of his own impeccable eye. (The nudes were taken by photographer Bob Siedeman, who also photographed Janis. Quickly thereafter, upon recognizing the relatively undiscovered talent of the leading photographers with whom he was privileged to collaborate, as well as the ample opportunities presented by the then-budding market for fashion photography, Mr. She took us to her apartment and there was an entire wall of Janis nude. ![]() Paul Tomlinson’s interest in fashion photography was triggered by his tenure as marketing director for an emerging fashion specialty chain in the late 1970s.
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